Dear friend of a person I barely know,
You wrote your friend to say you are fed up with workshops, that you know you can write. All you need, you wrote, is a mentor to help you put your manuscript into book form.
The mentor, you wrote, should also tell you how to sell your published book. “I need a connection,” you wrote, urging her to give the letter to me so that I would become that mentor.
Your friend did give me your letter: at a workshop where twenty writers had paid for the time and expertise of several published writers. For four days the experienced writers worked with those students, ate lunch with them, sat for hours discussing their work.
You weren’t there because you have decided workshops are a waste of time and money. Sadly, that is sometimes true.
As a science fiction writer replied when asked why science fiction is worthless: because 99% of everything is worthless. A few years ago I saw a workshop that promised to introduce writers to an agent even if they hadn’t written a word. Legitimate agents are unlikely to discuss your publishing prospects if you don’t have a book contract in hand for a book that’s already written. (See my suggestions about whether or not you need an agent elsewhere on this website.)
A writer interested in attending any workshop should investigate it the same way you would investigate any purchase: asking questions and doing research to see if what you are buying will be useful to you.
But workshops can be beneficial. You may gain information you didn’t know you needed. And you might connect with other writers who are learning about the profession and who have the same concerns. You mentioned the cost of travel and motels as being prohibitive. So look for assistance where you live; aspiring writers are everywhere. Scan want ads, check with friends, examine the bulletin boards of libraries, bookstores. Search online for “writers, Your Town USA.” Visit websites on writing topics.
Ideally, you will find compatible writers who will exchange writing with you, so that everyone comments on everyone else’s work. This can be time-consuming; you owe your fellow writers the same effort you expect them to put into helping you. But it is likely to be the single most useful thing you can do for yourself as a beginning writer: to discover, cultivate and cherish fellow writers so you can all help each other. I wish I’d known this opportunity existed and found writers with whom to exchange information at various stages in my career. Most of what I have learned has come from making mistakes and doing research on my own.
You said you need a “connection.” Surely you have read news reports of publishers going bankrupt, of bookstores closing nationwide. Even nationally-famous writers with long lists of books published by reputable companies are finding their books rejected as publishers cut costs and try to profit with new competition.
If you consider yourself a writer, educating yourself about the world of publishing is part of your job. Read available news about publishing, writers, bookstores and libraries to learn about your chances of publication. If you believe your writing is valuable, then you must find your own method of getting it in print.
You may dream of receiving a contract from a major publisher but many other methods of publishing exist, from print on demand to online publishing. You can write your thoughts on the Internet through blogging, publish in an Ebook, self-publish, create a POD (print on demand) book or join a publishing cooperative.
Information on publishing is easily available. You can learn how to publish a book via the internet or in your public library. Librarians I know are eager to help their patrons. Start with a look at Writer’s Market and The Literary Market Place. In the library or bookstore or online, browse the dozens of “how-to” books on writing and publishing. Look at bibliographies so each source leads you to others. Every day hundreds of writers figure out how publish their own books. You must do the same. This is the good news.
You already know the bad news: some of the people spreading information are not honest.
As an author, plan to learn new skills that will enable you to publish and promote your writing in the way that suits you best. No mentor, no matter how generous or well known, can determine which publication method is best for your book, submit it, design it, edit, copyedit and proofread the manuscript, oversee publication and help you sell it. Because you know your own manuscript best, you must develop your own ideas about where and how it might find readers; that’s just part of the job of the writer.
Do you picture yourself as a famous author seated comfortably on a chair in a TV studio, casually discussing the latest book? Even famous authors have to work hard to sell their books. Commercial contracts often call for a certain number of speaking and book-signing appearances in particular cities as part of the publishing campaign. The author who publishes with less-famous publishers has to arrange his or her own travel. In both cases, when the writer is traveling to promote her book, she’s not writing. Many authors now use the Internet for promotion, blogging, tweeting, exchanging reviews. And more and more frequently, I hear the complaint, “I’m spending all my creative energy promoting my work, not writing.”
In writing to me, you proudly said you do not have a computer, that you are “too old to learn” and can’t afford one. Without a computer, your task is more time-consuming in several ways. Internet research is faster, though often less reliable, than library research. Most publishers no longer read printed manuscripts; they require attachments sent in the proper format.
Still, most settled regions swarm with people willing to teach you how to use a computer, often at low cost. For example, senior citizens’ organizations offer many such classes particularly for seniors of limited means who aren’t interested in “surfing the net” but in writing their life stories. I know a dozen people in their 80s and 90s who confidently use their computers to pay their bills, do research, write to friends– and none of them are well-to-do.
When you told your friend that I should help you write, publish and promote your book, you did not mention any effort you may have made to find help in the busy metropolitan area where you live. I know that city to be thronged with writers at all levels; many of them are generous with their time and teach or give workshops. I might have ignored your letter or said “No!” but I’ve spent hours composing this reply. Those are hours lost from my own writing. And if you are like many who have asked me for help as you did, you will be angry, resentful, perhaps rude about my refusal to put aside my own work to help you with yours.
I have and do work hard to help writers who show initiative and determination to see their work in print. But if I am to get any of my own work done, I must limit the time I take away from it to give to others.
I am a full-time writer; I begin writing by nine each morning, stopping only to cook and eat lunch. In the afternoon I may write or answer mail or email. I also have all the usual responsibilities: cooking, cleaning, gardening. My writing is an important part of my livelihood. Because I don’t make enough money from selling my books to eat, I have developed other ways to make a living from writing.
Once upon a time, when had real jobs and was not writing as much or as seriously, I worked free for “good causes;” I reserve the right to do so still. But my writer friend Helen Rezatto lectured me: “You wouldn’t call the plumber and ask him to fix the leak in your pipes for free,” she said. “Why should writers be expected to give away their hard-earned knowledge?”
Often, I am invited by a college or university (with paid professors) or a high school (with paid teachers) or a civic group or arts organization (with paid staff) to teach writing for a day or more. They don’t mention pay but the invitations promise chirpily, I’ll have a “chance to sell my books.” This usually means I’ll sit at a table in the foyer as everyone goes home to lunch or out for the evening. People issuing such invitations do not consider the costs of travel, overnight stays, or time lost from my work. I speak from experience; I’ve done hundreds of such jobs in and around my home state.
If Helen were alive, she’d remind me to tell them that I might sell far more books staying at home and blogging or tweeting. People value service in direct proportion to the amount they pay for it, she insisted, and writers who perform their work for free are always underrated.
I make my living in three ways. I am hired by colleges, universities and writers groups to give workshops and talks. I expect those organizations to pay for my time, just as if they’d hired a plumber. (See an explanation of my fees on this website.)
I conduct writing retreats at my ranch. Writers who come for retreat usually spend two full days and two half-days here in my retreat house, consulting with me on work they have sent ahead. When I receive their email attachment, I can write comments directly in the manuscript. During the retreat, I print copies for the writer and for me and we devote our time together to reviewing and revising the work. I offer suggestions for publication once I know the writer’s needs and abilities. (Descriptions and costs of a Writing Retreat are described on this website.) They pay for my expertise just as they would pay the costs of a college class, and for the same reasons.
Third, I provide writing consultations by email. That is, writers send me their manuscripts-- by email, as attachments-- and I write comments throughout the work, sending it back so that the writer can work through my suggestions line by line. (Descriptions and costs of Writing Conversations are also described on this website.) I no longer accept paper manuscripts sent by mail because the process of commenting is so much more laborious for both the writer and for me. My $50 an hour charge for this service is, I’m told, hundreds of dollars below the industry standard.
I have spent more than fifty years writing and publishing my work, educating myself about the process-- so I believe I am justified in charging for the time I spend helping others. Writing and working with writers are my only businesses.
So I urge you to invest your own time to learn about the profession you chose by calling yourself a writer. Study the business and decide what procedure is best for you. If you have faith in your work, you will find a way. Thousands of people with limited resources have educated themselves and published worthwhile books in one form or another.
You could be one of them.
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